Proximity and Distance in the Mediation of Suffering: Local Photographers in War-Torn Aleppo and the International Media Circuit
Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt
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Proximity and Distance in the Mediation of Suffering : Local Photographers in War-Torn Aleppo and the International Media Circuit. / Mollerup, Nina Grønlykke; Mortensen, Mette.
I: Journalism, Bind 21, Nr. 6, 2020, s. 729–745.Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt
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TY - JOUR
T1 - Proximity and Distance in the Mediation of Suffering
T2 - Local Photographers in War-Torn Aleppo and the International Media Circuit
AU - Mollerup, Nina Grønlykke
AU - Mortensen, Mette
PY - 2020
Y1 - 2020
N2 - This article studies the work and working conditions of local non-professional or semi-professional photographers in Aleppo 2016, and the way they manoeuvre in relation to international networks of journalists and editors as well as to Western norms of portraying distant suffering when seeking to reach global audiences. Theoretically, the article draws upon studies of the ethics of distant spectatorship as well as of practitioners’ perspectives on photojournalism in and from conflict zones. The analysis builds on interviews with local photographers, Aleppo Media Centre, non-governmental organization employees, news agency photo editors and international journalists who have worked in Aleppo as well as digital ethnography. We argue that the relationship between Aleppian photographers and international news organisations was characterised by mutual dependency, but that their relationship was concurrently wrought with inequalities and dilemmas as the photographers’ working conditions were characterised by physical, political and economic vulnerability.
AB - This article studies the work and working conditions of local non-professional or semi-professional photographers in Aleppo 2016, and the way they manoeuvre in relation to international networks of journalists and editors as well as to Western norms of portraying distant suffering when seeking to reach global audiences. Theoretically, the article draws upon studies of the ethics of distant spectatorship as well as of practitioners’ perspectives on photojournalism in and from conflict zones. The analysis builds on interviews with local photographers, Aleppo Media Centre, non-governmental organization employees, news agency photo editors and international journalists who have worked in Aleppo as well as digital ethnography. We argue that the relationship between Aleppian photographers and international news organisations was characterised by mutual dependency, but that their relationship was concurrently wrought with inequalities and dilemmas as the photographers’ working conditions were characterised by physical, political and economic vulnerability.
KW - Faculty of Humanities
KW - Distant suffering
KW - international news organisations
KW - local war photographers
KW - Syrian war
U2 - 10.1177/1464884918793054
DO - 10.1177/1464884918793054
M3 - Journal article
VL - 21
SP - 729
EP - 745
JO - Journalism
JF - Journalism
SN - 1464-8849
IS - 6
ER -
ID: 199752206