Unrealizations: The making and unmaking of two Japanese-designed extensions to European museums
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Unrealizations : The making and unmaking of two Japanese-designed extensions to European museums. / Sejrup, Jens.
In: International Journal of Cultural Studies, Vol. 22, No. 6, 20.08.2019, p. 823-843.Research output: Contribution to journal › Journal article › Research › peer-review
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TY - JOUR
T1 - Unrealizations
T2 - The making and unmaking of two Japanese-designed extensions to European museums
AU - Sejrup, Jens
PY - 2019/8/20
Y1 - 2019/8/20
N2 - Unrealized architecture is culturally significant. Although they remain imaginary, unrealized buildings happen to a community, often leaving unintended material and social traces. This article argues that unbuilt projects contribute actively to the production of locality and the meaning of neighborhoods and institutions. Drawing on theoretical investments from Appadurai and Yaneva, this article analyzes motifs of locality and globality in long-lasting controversies surrounding two unrealized Japanese-designed extension projects to European museum buildings: the Uffizi Gallery in Florence and the Institut Valencià d’Art Modern in Valencia. The analysis demonstrates that despite their spectacular confrontations, supporters and opponents in both cases shared similar notions of the affected neighborhoods and museums as meaningful social and cultural spaces. The controversies revolved around whether or not the Japanese-designed expansions would violate or reawaken perceived local energies and qualities. Engaging a little-studied dimension of cultural globalization, the article asks: what sort of locality emerges from unmaking globality-inflected monumental architecture?
AB - Unrealized architecture is culturally significant. Although they remain imaginary, unrealized buildings happen to a community, often leaving unintended material and social traces. This article argues that unbuilt projects contribute actively to the production of locality and the meaning of neighborhoods and institutions. Drawing on theoretical investments from Appadurai and Yaneva, this article analyzes motifs of locality and globality in long-lasting controversies surrounding two unrealized Japanese-designed extension projects to European museum buildings: the Uffizi Gallery in Florence and the Institut Valencià d’Art Modern in Valencia. The analysis demonstrates that despite their spectacular confrontations, supporters and opponents in both cases shared similar notions of the affected neighborhoods and museums as meaningful social and cultural spaces. The controversies revolved around whether or not the Japanese-designed expansions would violate or reawaken perceived local energies and qualities. Engaging a little-studied dimension of cultural globalization, the article asks: what sort of locality emerges from unmaking globality-inflected monumental architecture?
KW - Faculty of Social Sciences
KW - architecture
KW - Europe
KW - Florence
KW - globalization
KW - Japan
KW - locality
KW - museum
KW - unrealized projects
KW - Valencia
U2 - 10.1177/1367877919857390
DO - 10.1177/1367877919857390
M3 - Journal article
VL - 22
SP - 823
EP - 843
JO - International Journal of Cultural Studies
JF - International Journal of Cultural Studies
SN - 1367-8779
IS - 6
ER -
ID: 226220866