The Threepenny Opera: Performativity and the Brechtian Precense Between Music and Theatre

Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review

Standard

The Threepenny Opera : Performativity and the Brechtian Precense Between Music and Theatre. / Eigtved, Michael.

The Legacy of Opera: Reading music theatre as experience and performance. ed. / Pamela Karantonis. Vol. 7 Amsterdam : Brill | Rodopi, 2013.

Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review

Harvard

Eigtved, M 2013, The Threepenny Opera: Performativity and the Brechtian Precense Between Music and Theatre. in P Karantonis (ed.), The Legacy of Opera: Reading music theatre as experience and performance. vol. 7, Brill | Rodopi, Amsterdam.

APA

Eigtved, M. (2013). The Threepenny Opera: Performativity and the Brechtian Precense Between Music and Theatre. In P. Karantonis (Ed.), The Legacy of Opera: Reading music theatre as experience and performance (Vol. 7). Brill | Rodopi.

Vancouver

Eigtved M. The Threepenny Opera: Performativity and the Brechtian Precense Between Music and Theatre. In Karantonis P, editor, The Legacy of Opera: Reading music theatre as experience and performance. Vol. 7. Amsterdam: Brill | Rodopi. 2013

Author

Eigtved, Michael. / The Threepenny Opera : Performativity and the Brechtian Precense Between Music and Theatre. The Legacy of Opera: Reading music theatre as experience and performance. editor / Pamela Karantonis. Vol. 7 Amsterdam : Brill | Rodopi, 2013.

Bibtex

@inbook{fcb19a205aaf41e2b687eee5a3ced86f,
title = "The Threepenny Opera: Performativity and the Brechtian Precense Between Music and Theatre",
abstract = "The article investigates how the theories of Bertolt Brecht mainly about the reflection an audiences is supposed undertake during a performance, coincides with the actual situation of experience, using a historical analysis of the opening night of the Threepenny Opera as the case.",
keywords = "Faculty of Humanities, Brecht, Bertolt, Performativitet",
author = "Michael Eigtved",
year = "2013",
language = "English",
isbn = "9789042036918",
volume = "7",
editor = "Karantonis, {Pamela }",
booktitle = "The Legacy of Opera",
publisher = "Brill | Rodopi",

}

RIS

TY - CHAP

T1 - The Threepenny Opera

T2 - Performativity and the Brechtian Precense Between Music and Theatre

AU - Eigtved, Michael

PY - 2013

Y1 - 2013

N2 - The article investigates how the theories of Bertolt Brecht mainly about the reflection an audiences is supposed undertake during a performance, coincides with the actual situation of experience, using a historical analysis of the opening night of the Threepenny Opera as the case.

AB - The article investigates how the theories of Bertolt Brecht mainly about the reflection an audiences is supposed undertake during a performance, coincides with the actual situation of experience, using a historical analysis of the opening night of the Threepenny Opera as the case.

KW - Faculty of Humanities

KW - Brecht, Bertolt

KW - Performativitet

M3 - Book chapter

SN - 9789042036918

VL - 7

BT - The Legacy of Opera

A2 - Karantonis, Pamela

PB - Brill | Rodopi

CY - Amsterdam

ER -

ID: 137513036