The restoration of Antoine Busnoys’ four-part Flemish song “In mijnen sijn”: An experiment in sound, imitation technique, and the setting of a popular tune

Research output: Contribution to journal › Journal article › Research › peer-review

Standard

The restoration of Antoine Busnoys’ four-part Flemish song “In mijnen sijn” : An experiment in sound, imitation technique, and the setting of a popular tune. / Christoffersen, Peter Woetmann.

In: Danish Musicology Online, Vol. 2 (2011), 2011, p. 21-51.

Research output: Contribution to journal › Journal article › Research › peer-review

Harvard

Christoffersen, PW 2011, 'The restoration of Antoine Busnoys’ four-part Flemish song “In mijnen sijn”: An experiment in sound, imitation technique, and the setting of a popular tune', Danish Musicology Online, vol. 2 (2011), pp. 21-51. <http://www.danishmusicologyonline.dk/arkiv/arkiv_dmo/dmo_02/dmo_02_artikel_02.pdf>

APA

Christoffersen, P. W. (2011). The restoration of Antoine Busnoys’ four-part Flemish song “In mijnen sijn”: An experiment in sound, imitation technique, and the setting of a popular tune. Danish Musicology Online, 2 (2011), 21-51. http://www.danishmusicologyonline.dk/arkiv/arkiv_dmo/dmo_02/dmo_02_artikel_02.pdf

Vancouver

Christoffersen PW. The restoration of Antoine Busnoys’ four-part Flemish song “In mijnen sijn”: An experiment in sound, imitation technique, and the setting of a popular tune. Danish Musicology Online. 2011;2 (2011):21-51.

Author

Christoffersen, Peter Woetmann. / The restoration of Antoine Busnoys’ four-part Flemish song “In mijnen sijn” : An experiment in sound, imitation technique, and the setting of a popular tune. In: Danish Musicology Online. 2011 ; Vol. 2 (2011). pp. 21-51.

Bibtex

@article{78712ad3f6f34e73bf54ae279c6c4f55,
title = "The restoration of Antoine Busnoys{\textquoteright} four-part Flemish song “In mijnen sijn”: An experiment in sound, imitation technique, and the setting of a popular tune",
abstract = "Important aspects of my discussion of Busnoys{\textquoteright} “In mijnen sijn” are most adequately represented by the musical editions appended to this article. They include separate editions of the song{\textquoteright}s only two complete sources, which date from the first decade of the 16th century. For anybody who wants to perform the song, these sources raise some thorny questions about how to understand the music. The editions include my attempt to answer these questions by means of a restoration of “In mijnen sijn”. The process of restoration highlights some issues of importance to our perception of the development of compositional practice in the second part of the fifteenth century. These issues concern the extent and meaning of the roles of key signatures, strict canon techniques and the development of polyphonic settings of popular songs. Furthermore, in my opinion this Flemish song has not received the attention it deserves from musicology.",
keywords = "Faculty of Humanities, Antoine Busnoys, Antoine Busnoys",
author = "Christoffersen, {Peter Woetmann}",
year = "2011",
language = "English",
volume = "2 (2011)",
pages = "21--51",
journal = "Danish Musicology Online",
issn = "1904-237X",
publisher = "Koebenhavns Universitet Musikvidenskabeligt Institut",

}

RIS

TY - JOUR

T1 - The restoration of Antoine Busnoys’ four-part Flemish song “In mijnen sijn”

T2 - An experiment in sound, imitation technique, and the setting of a popular tune

AU - Christoffersen, Peter Woetmann

PY - 2011

Y1 - 2011

N2 - Important aspects of my discussion of Busnoys’ “In mijnen sijn” are most adequately represented by the musical editions appended to this article. They include separate editions of the song’s only two complete sources, which date from the first decade of the 16th century. For anybody who wants to perform the song, these sources raise some thorny questions about how to understand the music. The editions include my attempt to answer these questions by means of a restoration of “In mijnen sijn”. The process of restoration highlights some issues of importance to our perception of the development of compositional practice in the second part of the fifteenth century. These issues concern the extent and meaning of the roles of key signatures, strict canon techniques and the development of polyphonic settings of popular songs. Furthermore, in my opinion this Flemish song has not received the attention it deserves from musicology.

AB - Important aspects of my discussion of Busnoys’ “In mijnen sijn” are most adequately represented by the musical editions appended to this article. They include separate editions of the song’s only two complete sources, which date from the first decade of the 16th century. For anybody who wants to perform the song, these sources raise some thorny questions about how to understand the music. The editions include my attempt to answer these questions by means of a restoration of “In mijnen sijn”. The process of restoration highlights some issues of importance to our perception of the development of compositional practice in the second part of the fifteenth century. These issues concern the extent and meaning of the roles of key signatures, strict canon techniques and the development of polyphonic settings of popular songs. Furthermore, in my opinion this Flemish song has not received the attention it deserves from musicology.

KW - Faculty of Humanities

KW - Antoine Busnoys

KW - Antoine Busnoys

M3 - Journal article

VL - 2 (2011)

SP - 21

EP - 51

JO - Danish Musicology Online

JF - Danish Musicology Online

SN - 1904-237X

ER -

ID: 33903922