The Globalization of the Danish Documentarry. Creative collaboration and modes of global documentaries

Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

Standard

The Globalization of the Danish Documentarry. Creative collaboration and modes of global documentaries. / Bondebjerg, Ib.

Nordic Film Cultures and Cinemas of Elsewhere. ed. / Anna Stenport; Arne Lunde. Edinburgh : Edinburgh University Press, 2019. p. 261-279 (Traditions in World Cinema).

Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

Harvard

Bondebjerg, I 2019, The Globalization of the Danish Documentarry. Creative collaboration and modes of global documentaries. in A Stenport & A Lunde (eds), Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh University Press, Edinburgh, Traditions in World Cinema, pp. 261-279.

APA

Bondebjerg, I. (2019). The Globalization of the Danish Documentarry. Creative collaboration and modes of global documentaries. In A. Stenport, & A. Lunde (Eds.), Nordic Film Cultures and Cinemas of Elsewhere (pp. 261-279). Edinburgh: Edinburgh University Press. Traditions in World Cinema

Vancouver

Bondebjerg I. The Globalization of the Danish Documentarry. Creative collaboration and modes of global documentaries. In Stenport A, Lunde A, editors, Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh: Edinburgh University Press. 2019. p. 261-279. (Traditions in World Cinema).

Author

Bondebjerg, Ib. / The Globalization of the Danish Documentarry. Creative collaboration and modes of global documentaries. Nordic Film Cultures and Cinemas of Elsewhere. editor / Anna Stenport ; Arne Lunde. Edinburgh : Edinburgh University Press, 2019. pp. 261-279 (Traditions in World Cinema).

Bibtex

@inbook{5dd8411bf9c34bc8b85a678822f13f87,
title = "The Globalization of the Danish Documentarry.: Creative collaboration and modes of global documentaries",
abstract = "In this article I discuss basic dimensions of globalisation and basic documentary modes or prototypes with special reference to Bill Nichols (2001), Carl Plantinga (1997) and Ib Bondebjerg (2014). After having presented this more theoretical context I analyse different dimensions of the globalization through Danish examples, looking at the production context, the thematic, aesthetic and generic modes.. My cases illustrate different modes of addressing the global and also use elements from different basic documentary modes. A special focus is the rise of transnational creative collaboration.",
keywords = "Faculty of Humanities, Dokumentarfilm, Globalisering, dansk film",
author = "Ib Bondebjerg",
year = "2019",
month = "8",
day = "30",
language = "English",
isbn = "978 1 4744 3805 6",
pages = "261--279",
editor = "Anna Stenport and Arne Lunde",
booktitle = "Nordic Film Cultures and Cinemas of Elsewhere",
publisher = "Edinburgh University Press",
address = "United Kingdom",

}

RIS

TY - CHAP

T1 - The Globalization of the Danish Documentarry.

T2 - Creative collaboration and modes of global documentaries

AU - Bondebjerg, Ib

PY - 2019/8/30

Y1 - 2019/8/30

N2 - In this article I discuss basic dimensions of globalisation and basic documentary modes or prototypes with special reference to Bill Nichols (2001), Carl Plantinga (1997) and Ib Bondebjerg (2014). After having presented this more theoretical context I analyse different dimensions of the globalization through Danish examples, looking at the production context, the thematic, aesthetic and generic modes.. My cases illustrate different modes of addressing the global and also use elements from different basic documentary modes. A special focus is the rise of transnational creative collaboration.

AB - In this article I discuss basic dimensions of globalisation and basic documentary modes or prototypes with special reference to Bill Nichols (2001), Carl Plantinga (1997) and Ib Bondebjerg (2014). After having presented this more theoretical context I analyse different dimensions of the globalization through Danish examples, looking at the production context, the thematic, aesthetic and generic modes.. My cases illustrate different modes of addressing the global and also use elements from different basic documentary modes. A special focus is the rise of transnational creative collaboration.

KW - Faculty of Humanities

KW - Dokumentarfilm

KW - Globalisering

KW - dansk film

M3 - Book chapter

SN - 978 1 4744 3805 6

SP - 261

EP - 279

BT - Nordic Film Cultures and Cinemas of Elsewhere

A2 - Stenport, Anna

A2 - Lunde, Arne

PB - Edinburgh University Press

CY - Edinburgh

ER -

ID: 185071160