Harlequin, Holberg and the (in)visible masks: Commedia dell'arte in Eighteenth-Century Denmark

Research output: Contribution to journal › Journal article › Research › peer-review

Standard

Harlequin, Holberg and the (in)visible masks : Commedia dell'arte in Eighteenth-Century Denmark. / Holm, Bent.

In: Theatre Research International, Vol. 23, No. 2, 1998, p. 159-166.

Research output: Contribution to journal › Journal article › Research › peer-review

Harvard

Holm, B 1998, 'Harlequin, Holberg and the (in)visible masks: Commedia dell'arte in Eighteenth-Century Denmark', Theatre Research International, vol. 23, no. 2, pp. 159-166.

APA

Holm, B. (1998). Harlequin, Holberg and the (in)visible masks: Commedia dell'arte in Eighteenth-Century Denmark. Theatre Research International, 23(2), 159-166.

Vancouver

Holm B. Harlequin, Holberg and the (in)visible masks: Commedia dell'arte in Eighteenth-Century Denmark. Theatre Research International. 1998;23(2):159-166.

Author

Holm, Bent. / Harlequin, Holberg and the (in)visible masks : Commedia dell'arte in Eighteenth-Century Denmark. In: Theatre Research International. 1998 ; Vol. 23, No. 2. pp. 159-166.

Bibtex

@article{a553f27507a640158cf2efbb82958509,
title = "Harlequin, Holberg and the (in)visible masks: Commedia dell'arte in Eighteenth-Century Denmark",
abstract = "A reading of Holberg's harquinades {"}Ulysses Von Itacia{"} and {"}The Invisibles{"} placed in a context of European grotesque theatre with a specific regard to the texts relation to respectively older and newer French-Italian masque theatre. The analysis suggeststhat the first text is in perfect accordance with the models and the second contains parodic elements in comparison to the inspiration source. These circumstances are seen as expressions of the author's basic ideas about life and theatre.",
keywords = "Faculty of Humanities, Holberg, Teaterhistorie, Commedia dell'arte, Harlekin, Holberg, theatre history, commedia dell'arte, Harlequin",
author = "Bent Holm",
year = "1998",
language = "English",
volume = "23",
pages = "159--166",
journal = "Theatre Research International",
issn = "0307-8833",
publisher = "Cambridge University Press",
number = "2",

}

RIS

TY - JOUR

T1 - Harlequin, Holberg and the (in)visible masks

T2 - Commedia dell'arte in Eighteenth-Century Denmark

AU - Holm, Bent

PY - 1998

Y1 - 1998

N2 - A reading of Holberg's harquinades "Ulysses Von Itacia" and "The Invisibles" placed in a context of European grotesque theatre with a specific regard to the texts relation to respectively older and newer French-Italian masque theatre. The analysis suggeststhat the first text is in perfect accordance with the models and the second contains parodic elements in comparison to the inspiration source. These circumstances are seen as expressions of the author's basic ideas about life and theatre.

AB - A reading of Holberg's harquinades "Ulysses Von Itacia" and "The Invisibles" placed in a context of European grotesque theatre with a specific regard to the texts relation to respectively older and newer French-Italian masque theatre. The analysis suggeststhat the first text is in perfect accordance with the models and the second contains parodic elements in comparison to the inspiration source. These circumstances are seen as expressions of the author's basic ideas about life and theatre.

KW - Faculty of Humanities

KW - Holberg

KW - Teaterhistorie

KW - Commedia dell'arte

KW - Harlekin

KW - Holberg

KW - theatre history

KW - commedia dell'arte

KW - Harlequin

M3 - Journal article

VL - 23

SP - 159

EP - 166

JO - Theatre Research International

JF - Theatre Research International

SN - 0307-8833

IS - 2

ER -

ID: 37947102