Challenging the Precepts of Modernism: The Late Work of J.F. Willumsen

Research output: Contribution to journal › Journal article › Research › peer-review

Standard

Challenging the Precepts of Modernism : The Late Work of J.F. Willumsen. / Gregersen, Anne.

In: RIHA Journal. Journal of the International Association of Research Institutes in the History of Art, 11.05.2012.

Research output: Contribution to journal › Journal article › Research › peer-review

Harvard

Gregersen, A 2012, 'Challenging the Precepts of Modernism: The Late Work of J.F. Willumsen', RIHA Journal. Journal of the International Association of Research Institutes in the History of Art. <http://www.riha-journal.org/articles/2012/2012-apr-jun/gregersen-challenging-the-precepts-of-modernism>

APA

Gregersen, A. (2012). Challenging the Precepts of Modernism: The Late Work of J.F. Willumsen. RIHA Journal. Journal of the International Association of Research Institutes in the History of Art. http://www.riha-journal.org/articles/2012/2012-apr-jun/gregersen-challenging-the-precepts-of-modernism

Vancouver

Gregersen A. Challenging the Precepts of Modernism: The Late Work of J.F. Willumsen. RIHA Journal. Journal of the International Association of Research Institutes in the History of Art. 2012 May 11.

Author

Gregersen, Anne. / Challenging the Precepts of Modernism : The Late Work of J.F. Willumsen. In: RIHA Journal. Journal of the International Association of Research Institutes in the History of Art. 2012.

Bibtex

@article{d81e9ede00bd44b2a20b837b6bee5455,
title = "Challenging the Precepts of Modernism: The Late Work of J.F. Willumsen",
abstract = "The late work of the Danish artist J.F. Willumsen (1863-1958) has until recently largely been marginalized and deemed kitsch, of poor quality and {"}odd{"}. As opposed to the canonization of his earlier work, the period 1930-1958 has been difficult to {"}digest{"} and increasingly written off in Danish art history. This article takes a closer look at the late work, the reception of it by Willumsen's contemporaries and the artist's own claims about it. Furthermore, the article proposes to relate the status of the work to its resistance to notions that have become the precepts of modernism such as progression, irreversibility and defined {"}isms{"}. The challenging of these notions is also found in the phenomenon of {"}Bad Painting{"} that has been presented and genealogized mainly through a number of exhibitions the last years. The article suggests to associate the work to this phenomenon.",
keywords = "Faculty of Humanities, Willumsen, J.F., modernisme",
author = "Anne Gregersen",
year = "2012",
month = may,
day = "11",
language = "English",
journal = "RIHA Journal",
issn = "2190-3328",
publisher = "International Association of Research Institutes in the History of Art",

}

RIS

TY - JOUR

T1 - Challenging the Precepts of Modernism

T2 - The Late Work of J.F. Willumsen

AU - Gregersen, Anne

PY - 2012/5/11

Y1 - 2012/5/11

N2 - The late work of the Danish artist J.F. Willumsen (1863-1958) has until recently largely been marginalized and deemed kitsch, of poor quality and "odd". As opposed to the canonization of his earlier work, the period 1930-1958 has been difficult to "digest" and increasingly written off in Danish art history. This article takes a closer look at the late work, the reception of it by Willumsen's contemporaries and the artist's own claims about it. Furthermore, the article proposes to relate the status of the work to its resistance to notions that have become the precepts of modernism such as progression, irreversibility and defined "isms". The challenging of these notions is also found in the phenomenon of "Bad Painting" that has been presented and genealogized mainly through a number of exhibitions the last years. The article suggests to associate the work to this phenomenon.

AB - The late work of the Danish artist J.F. Willumsen (1863-1958) has until recently largely been marginalized and deemed kitsch, of poor quality and "odd". As opposed to the canonization of his earlier work, the period 1930-1958 has been difficult to "digest" and increasingly written off in Danish art history. This article takes a closer look at the late work, the reception of it by Willumsen's contemporaries and the artist's own claims about it. Furthermore, the article proposes to relate the status of the work to its resistance to notions that have become the precepts of modernism such as progression, irreversibility and defined "isms". The challenging of these notions is also found in the phenomenon of "Bad Painting" that has been presented and genealogized mainly through a number of exhibitions the last years. The article suggests to associate the work to this phenomenon.

KW - Faculty of Humanities

KW - Willumsen, J.F.

KW - modernisme

M3 - Journal article

JO - RIHA Journal

JF - RIHA Journal

SN - 2190-3328

ER -

ID: 40393458