Understanding Media Dynamics

Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review

Standard

Understanding Media Dynamics. / Hjarvard, Stig; Lundby, Knut.

Contesting Religion: The Media Dynamics of Cultural Conflicts in Scandinavia. ed. / Knut Lundby. Berlin : De Gruyter, 2018. p. 51-64.

Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review

Harvard

Hjarvard, S & Lundby, K 2018, Understanding Media Dynamics. in K Lundby (ed.), Contesting Religion: The Media Dynamics of Cultural Conflicts in Scandinavia. De Gruyter, Berlin, pp. 51-64. https://doi.org/10.1515/9783110502060-008

APA

Hjarvard, S., & Lundby, K. (2018). Understanding Media Dynamics. In K. Lundby (Ed.), Contesting Religion: The Media Dynamics of Cultural Conflicts in Scandinavia (pp. 51-64). De Gruyter. https://doi.org/10.1515/9783110502060-008

Vancouver

Hjarvard S, Lundby K. Understanding Media Dynamics. In Lundby K, editor, Contesting Religion: The Media Dynamics of Cultural Conflicts in Scandinavia. Berlin: De Gruyter. 2018. p. 51-64 https://doi.org/10.1515/9783110502060-008

Author

Hjarvard, Stig ; Lundby, Knut. / Understanding Media Dynamics. Contesting Religion: The Media Dynamics of Cultural Conflicts in Scandinavia. editor / Knut Lundby. Berlin : De Gruyter, 2018. pp. 51-64

Bibtex

@inbook{8180f6a0d80145789a0ef1db63a3835d,
title = "Understanding Media Dynamics",
abstract = "Mass media and social media afford a communicative environmentproviding a horizon of orientation for citizens about conflicts relating to religion,and provide social actors with the tools to engage in such conflicts. Media mayinsert various dynamics into conflicts and may occasionally become actors themselves in contestations over religious issues. This chapter applies a typology that distinguishes among three different media dynamics: (1) media{\textquoteright}s ability to amplify the communication and the ramifications of the reported events, (2) how the world is represented, framed, in the media, and the ways in which the media bestow the communication of events with a certain narrative and dramaturgy and work as arenas for the performative agency of various involved actors, and (3) the various ways in which media as social and communicative environments come to co-structure communication and actions. The terror attack on the French satire magazine Charlie Hebdo is used as an illustrative example.",
keywords = "Faculty of Humanities, Amplification, Framing, Performative agency, Co-structuring, Charlie Hebdo, Mediatization, Conflict",
author = "Stig Hjarvard and Knut Lundby",
year = "2018",
month = jul,
day = "29",
doi = "10.1515/9783110502060-008",
language = "English",
isbn = "978-3-11-050171-1",
pages = "51--64",
editor = "Knut Lundby",
booktitle = "Contesting Religion",
publisher = "De Gruyter",
address = "Germany",

}

RIS

TY - CHAP

T1 - Understanding Media Dynamics

AU - Hjarvard, Stig

AU - Lundby, Knut

PY - 2018/7/29

Y1 - 2018/7/29

N2 - Mass media and social media afford a communicative environmentproviding a horizon of orientation for citizens about conflicts relating to religion,and provide social actors with the tools to engage in such conflicts. Media mayinsert various dynamics into conflicts and may occasionally become actors themselves in contestations over religious issues. This chapter applies a typology that distinguishes among three different media dynamics: (1) media’s ability to amplify the communication and the ramifications of the reported events, (2) how the world is represented, framed, in the media, and the ways in which the media bestow the communication of events with a certain narrative and dramaturgy and work as arenas for the performative agency of various involved actors, and (3) the various ways in which media as social and communicative environments come to co-structure communication and actions. The terror attack on the French satire magazine Charlie Hebdo is used as an illustrative example.

AB - Mass media and social media afford a communicative environmentproviding a horizon of orientation for citizens about conflicts relating to religion,and provide social actors with the tools to engage in such conflicts. Media mayinsert various dynamics into conflicts and may occasionally become actors themselves in contestations over religious issues. This chapter applies a typology that distinguishes among three different media dynamics: (1) media’s ability to amplify the communication and the ramifications of the reported events, (2) how the world is represented, framed, in the media, and the ways in which the media bestow the communication of events with a certain narrative and dramaturgy and work as arenas for the performative agency of various involved actors, and (3) the various ways in which media as social and communicative environments come to co-structure communication and actions. The terror attack on the French satire magazine Charlie Hebdo is used as an illustrative example.

KW - Faculty of Humanities

KW - Amplification

KW - Framing

KW - Performative agency

KW - Co-structuring

KW - Charlie Hebdo

KW - Mediatization

KW - Conflict

U2 - 10.1515/9783110502060-008

DO - 10.1515/9783110502060-008

M3 - Book chapter

SN - 978-3-11-050171-1

SP - 51

EP - 64

BT - Contesting Religion

A2 - Lundby, Knut

PB - De Gruyter

CY - Berlin

ER -

ID: 200136265