Theatrics of transnational criminal justice: Ethnographies of penality in a global age: Introduction to the Special Issue

Research output: Contribution to journal › Editorial › Research › peer-review

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Theatrics of transnational criminal justice : Ethnographies of penality in a global age: Introduction to the Special Issue. / Sausdal, David; Lohne, Kjersti.

In: Theoretical Criminology, Vol. 25, No. 3, 2021, p. 361–378.

Research output: Contribution to journal › Editorial › Research › peer-review

Harvard

Sausdal, D & Lohne, K 2021, 'Theatrics of transnational criminal justice: Ethnographies of penality in a global age: Introduction to the Special Issue', Theoretical Criminology, vol. 25, no. 3, pp. 361–378. https://doi.org/10.1177/13624806211029562

APA

Sausdal, D., & Lohne, K. (2021). Theatrics of transnational criminal justice: Ethnographies of penality in a global age: Introduction to the Special Issue. Theoretical Criminology, 25(3), 361–378. https://doi.org/10.1177/13624806211029562

Vancouver

Sausdal D, Lohne K. Theatrics of transnational criminal justice: Ethnographies of penality in a global age: Introduction to the Special Issue. Theoretical Criminology. 2021;25(3):361–378. https://doi.org/10.1177/13624806211029562

Author

Sausdal, David ; Lohne, Kjersti. / Theatrics of transnational criminal justice : Ethnographies of penality in a global age: Introduction to the Special Issue. In: Theoretical Criminology. 2021 ; Vol. 25, No. 3. pp. 361–378.

Bibtex

@article{efc3a76eff5b4335b59f91069a0fbb91,
title = "Theatrics of transnational criminal justice: Ethnographies of penality in a global age: Introduction to the Special Issue",
abstract = "This special issue sets out to explore the Theatrics of Transnational Criminal Justice.{\textquoteleft}Why{\textquoteright}, we ask, {\textquoteleft}do transnational criminal justice actors perform themselves as they do?{\textquoteright} {\textquoteleft}Why are their representations frequently, if not different from, then often quite dramatized versions of the average reality of their practices?{\textquoteright} {\textquoteleft}What does such dramatization tell us about not only the symbolism but also the structure and stateof transnational criminal justice?{\textquoteright} And, more generally, {\textquoteleft}what do such performances of transnational criminal justice reveal about the nature of penal power in a global day and age?{\textquoteright} In probing such questions, the special issue draws together a number of accomplished ethnographers who have been exploring the performative nature of transnational criminal justice issues around the world, considering both international bodies such as Frontex, Europol, UNODC, the ICC as well as the many national actors involved in the prevention, policing and prosecution of border-crossing issues.",
keywords = "Faculty of Social Sciences, Ethnography, globalization, performance, power, transntional crime, tranational criminal justice, international criminal law, transnational criminology, transnational policing",
author = "David Sausdal and Kjersti Lohne",
year = "2021",
doi = "10.1177/13624806211029562",
language = "English",
volume = "25",
pages = "361–378",
journal = "Theoretical Criminology",
issn = "1362-4806",
publisher = "SAGE Publications",
number = "3",

}

RIS

TY - JOUR

T1 - Theatrics of transnational criminal justice

T2 - Ethnographies of penality in a global age: Introduction to the Special Issue

AU - Sausdal, David

AU - Lohne, Kjersti

PY - 2021

Y1 - 2021

N2 - This special issue sets out to explore the Theatrics of Transnational Criminal Justice.‘Why’, we ask, ‘do transnational criminal justice actors perform themselves as they do?’ ‘Why are their representations frequently, if not different from, then often quite dramatized versions of the average reality of their practices?’ ‘What does such dramatization tell us about not only the symbolism but also the structure and stateof transnational criminal justice?’ And, more generally, ‘what do such performances of transnational criminal justice reveal about the nature of penal power in a global day and age?’ In probing such questions, the special issue draws together a number of accomplished ethnographers who have been exploring the performative nature of transnational criminal justice issues around the world, considering both international bodies such as Frontex, Europol, UNODC, the ICC as well as the many national actors involved in the prevention, policing and prosecution of border-crossing issues.

AB - This special issue sets out to explore the Theatrics of Transnational Criminal Justice.‘Why’, we ask, ‘do transnational criminal justice actors perform themselves as they do?’ ‘Why are their representations frequently, if not different from, then often quite dramatized versions of the average reality of their practices?’ ‘What does such dramatization tell us about not only the symbolism but also the structure and stateof transnational criminal justice?’ And, more generally, ‘what do such performances of transnational criminal justice reveal about the nature of penal power in a global day and age?’ In probing such questions, the special issue draws together a number of accomplished ethnographers who have been exploring the performative nature of transnational criminal justice issues around the world, considering both international bodies such as Frontex, Europol, UNODC, the ICC as well as the many national actors involved in the prevention, policing and prosecution of border-crossing issues.

KW - Faculty of Social Sciences

KW - Ethnography

KW - globalization

KW - performance

KW - power

KW - transntional crime

KW - tranational criminal justice

KW - international criminal law

KW - transnational criminology

KW - transnational policing

U2 - 10.1177/13624806211029562

DO - 10.1177/13624806211029562

M3 - Editorial

VL - 25

SP - 361

EP - 378

JO - Theoretical Criminology

JF - Theoretical Criminology

SN - 1362-4806

IS - 3

ER -

ID: 239955429