‘Between the Devil and the Deep Blue Sea’: Afro-Danish jazz band Harlem Kiddies and discourses of race and resistance in 1940s Denmak

Research output: Contribution to journalJournal articleResearchpeer-review

Standard

‘Between the Devil and the Deep Blue Sea’ : Afro-Danish jazz band Harlem Kiddies and discourses of race and resistance in 1940s Denmak. / Dvinge, Anne.

In: African and Black Diaspora, Vol. 7, No. 1, 18.11.2013, p. 10-21.

Research output: Contribution to journalJournal articleResearchpeer-review

Harvard

Dvinge, A 2013, '‘Between the Devil and the Deep Blue Sea’: Afro-Danish jazz band Harlem Kiddies and discourses of race and resistance in 1940s Denmak', African and Black Diaspora, vol. 7, no. 1, pp. 10-21. https://doi.org/10.1080/17528631.2013.858916

APA

Dvinge, A. (2013). ‘Between the Devil and the Deep Blue Sea’: Afro-Danish jazz band Harlem Kiddies and discourses of race and resistance in 1940s Denmak. African and Black Diaspora, 7(1), 10-21. https://doi.org/10.1080/17528631.2013.858916

Vancouver

Dvinge A. ‘Between the Devil and the Deep Blue Sea’: Afro-Danish jazz band Harlem Kiddies and discourses of race and resistance in 1940s Denmak. African and Black Diaspora. 2013 Nov 18;7(1):10-21. https://doi.org/10.1080/17528631.2013.858916

Author

Dvinge, Anne. / ‘Between the Devil and the Deep Blue Sea’ : Afro-Danish jazz band Harlem Kiddies and discourses of race and resistance in 1940s Denmak. In: African and Black Diaspora. 2013 ; Vol. 7, No. 1. pp. 10-21.

Bibtex

@article{8ed88963c64542d9898db552504ef8aa,
title = "{\textquoteleft}Between the Devil and the Deep Blue Sea{\textquoteright}: Afro-Danish jazz band Harlem Kiddies and discourses of race and resistance in 1940s Denmak",
abstract = "In 1940, three young Afro-Danes came together to form what was to become one of the most popular swing bands in Scandinavia, the Harlem Kiddies. This essay seeks to investigate the performance and reception history of the orchestra, especially during the years of the German occupation. This essay argues that the Harlem Kiddies became double signifiers of resistance, and their performance strategies complicate and contradict essentialist notions of race, nation, and cultural identity.",
keywords = "Faculty of Humanities, Denmark, Jazz, Race, german occupation, cultural identity, Performance, Afro-Dansk jazz band, Harlem Kiddies, Race, kulturel identitet, den tyske bes{\ae}ttelse",
author = "Anne Dvinge",
year = "2013",
month = nov,
day = "18",
doi = "10.1080/17528631.2013.858916",
language = "English",
volume = "7",
pages = "10--21",
journal = "African and Black Diaspora",
issn = "1752-8631",
publisher = "Taylor & Francis",
number = "1",

}

RIS

TY - JOUR

T1 - ‘Between the Devil and the Deep Blue Sea’

T2 - Afro-Danish jazz band Harlem Kiddies and discourses of race and resistance in 1940s Denmak

AU - Dvinge, Anne

PY - 2013/11/18

Y1 - 2013/11/18

N2 - In 1940, three young Afro-Danes came together to form what was to become one of the most popular swing bands in Scandinavia, the Harlem Kiddies. This essay seeks to investigate the performance and reception history of the orchestra, especially during the years of the German occupation. This essay argues that the Harlem Kiddies became double signifiers of resistance, and their performance strategies complicate and contradict essentialist notions of race, nation, and cultural identity.

AB - In 1940, three young Afro-Danes came together to form what was to become one of the most popular swing bands in Scandinavia, the Harlem Kiddies. This essay seeks to investigate the performance and reception history of the orchestra, especially during the years of the German occupation. This essay argues that the Harlem Kiddies became double signifiers of resistance, and their performance strategies complicate and contradict essentialist notions of race, nation, and cultural identity.

KW - Faculty of Humanities

KW - Denmark

KW - Jazz

KW - Race

KW - german occupation

KW - cultural identity

KW - Performance

KW - Afro-Dansk jazz band

KW - Harlem Kiddies

KW - Race

KW - kulturel identitet

KW - den tyske besættelse

U2 - 10.1080/17528631.2013.858916

DO - 10.1080/17528631.2013.858916

M3 - Journal article

VL - 7

SP - 10

EP - 21

JO - African and Black Diaspora

JF - African and Black Diaspora

SN - 1752-8631

IS - 1

ER -

ID: 75366153